
In film, a shot is a continuous strip of motion picture film, created of a series of frames that runs for an uninterrupted period of time. Shots are generally filmed with a single camera and can be of any duration. A shot in production, defined by the beginning and end of a capturing process, is equivalent to a clip in editing, defined as the continuous footage between two edits. Frames, shots, clips, scenes, and sequences form a hierarchy of units fundamental to many tasks in the creation of moving-image works.
The size of shot and what is in it is important
The use of different shot sizes can influence the meaning which an audience will interpret.
The size of the subject in frame depends on two things: the distance the camera is away from the subject and the focal length of the camera lens.
Common shot sizes:
• Extreme close-up: Focuses on a single facial feature, such as lips and eyes.
• Close-up: May be used to show tension.
• Medium shot: Often used, but considered bad practice by many directors, as it often denies setting establishment and is generally less effective than the Close-up.
• Long shot
• Establishing shot: Mainly used at a new location to give the audience a sense of locality.
Choice of shot size is also directly related to the size of the final display screen the audience will see. A Long shot has much more dramatic power on a large theater screen, whereas the same shot would be powerless on a small TV or computer screen.
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